Investigating music teachers' ICT skills and technical possibilities in the field of online music education during the COVID-19 pandemic.

The effectiveness of music education depends on the personal interaction between teachers and students in the pedagogical process. The presence of the music teacher, the initial presentation of music, and the immediate correction are all essential in individual instrumental training and group-based music education [1]. In our study, we examined the ICT skills and technical possibilities which music teachers (N = 352) had at their disposal during the COVID-19 pandemic, compiled the Internet platforms they used in their teaching, and asked whether they produced their own teaching materials. By using factor analysis, we explored music teachers' attitudes towards online education and identified four factors, namely student-centred, digital virtuoso, digitally creative, and difficult-to-adapt factors. The change in the learning environment and in familiar methods presented new challenges to most surveyed music teachers, who were creative in adapting to the situation and in preparing suitable teaching materials for their students.

Relationship between social support and employment anxiety among art education students: Self-efficacy as a mediator

We investigated the effect of social support on employment anxiety among 217 art education college students in China and assessed the mediating role of self-efficacy in this relationship. The results showed that social support was significantly negatively correlated with employment anxiety. In addition, self-efficacy mediated the relationship between social support and employment anxiety. Our findings enhance understanding of the relationships between social support, employment anxiety, and self-efficacy among students in the context of higher education in China. The results also provide practical insights for educators to prevent students' employment anxiety. Directions for future research are suggested.

Research on the Service Quality Index and Alternatives Evaluation and Ranking for Online Yue Kiln Celadon Art Education in Post COVID-19 Era

Online education has been still a common way for teaching and learning in the post epidemic era. However, the related research on service quality for the online Yue kiln celadon art education industry is still a vital research gap during this period. Thus, a hybrid method of FANP and GRA is proposed in this study to analyse and evaluate the key factors for providing and maintaining high service quality of online Yue kiln celadon art education industry in the post coronavirus era. In this research, whether in the model of FANP and GRA, factors such as safety mechanism of transaction and education, personnel quality, and the ability of customer need handling are essential conditions for providing excellent service quality in the post-COVID-19 era. The main contribution of this study is to propose an integrated method of FANP and GRA to calculate and rank potential solutions of online Yue kiln celadon art education service quality in the post-COVID-19 era under fuzzy environment and discrete conditions. Finally, the research findings of this study have a guiding role, thereby becoming a guide for the industries related to online Yue kiln celadon art education to maintain good service quality in similar scenarios in the future. © 2023 by the authors.

Art-Based Innovation Teaching and Learning: How Do Students, Teachers, and Administrators Experience STEAM Education Online?

STEAM education, incorporating the arts into traditional STEM (science, technology, engineering, and maths) studies, is spreading globally. The arts component is called out to promote creative and innovative thinking among STEM learners. As with any novel educational trend, STEAM (science, technology, engineering, the arts, and mathematics) teaching and learning methods have been predominantly developing in the offline settings, especially given the creative nature, softness, and tacitness of learning goals brought in by the arts. However, this global digitalization trend which has been further enforced by the Covid-19 pandemic has pushed the entire educational field to online spaces and STEAM studies had to follow. Given the relative novelty of STEAM, as well as the new normal of online settings that it has to adapt to, our knowledge and understanding of how STEAM studies will survive the shift to the digital era remain very limited. In this study, we analyze the case of a STEAM-based study program on innovation, which was conceptualized as an offline program before the pandemic and had to transform into a fully online format following the global lockdown. Applying the Community of Inquiry (COI) pedagogical framework we analyze in depth the perspectives of all the course participants—students, teachers, and administrative staff—their experiences, their adaptation to the shift into an online space and the lessons learned. Our study shares theoretical, practical, and policymaking implications on STEAM teaching and learning. © The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerland AG 2022.

Is this the truth? A study of how undergraduates relate to potentially manipulative and misleading online media imagery

This mixed method arts-based study aims to answer the research question: How do undergraduates enrolled in an online course investigating visual culture at a large public Midwestern university relate to possibly manipulative and misleading online media imagery? Before educators can attempt to improve student media literacy, they must first understand how students experience visual media online. A holistic approach where students visualize their relationship with online media, respond to a survey of their attitudes and behaviors concerning online media, and demonstrate their abilities on anassessment of their critical media literacy, provides a rich snapshot of how members of Generation Z or Zoomers relate to online media.My findings reveal that students are extremely susceptible to manipulative or misleading media and that their unwarranted overconfidence may compound that vulnerability. Meanwhile, their art depicted feelings of anxiety, distrust, confusion, and helplessness regarding their relationships with media. With the increasing reliance on online media, exacerbated by the COVID-19 pandemic, it seems as though misinformation online will only continue to proliferate with increasingly dangerous consequences in the real world. As a result, educators, especially art educators, are urged to try to help students develop visual and critical media literacy skills. Recommendations and lesson ideas are provided. (PsycInfo Database Record (c) 2023 APA, all rights reserved)

Where left to seminar in 2022?

The university has now, totally, found its way into our homes. First through demands of the kitchen table to provide the setting for teaching preparation. Then inadvertently: the endless work done with others in mutable workspaces, such as the home, characterizing that same teaching. And now recently, the coronavirus pandemic has found a new, hybrid, teaching space – (working from) home. So, where else is there ‘to seminar'? These questions are not new: Roland Barthes made an everlasting call to ‘outline a space and call it: seminar'. Henk Slager, whose plea in 2017 to ‘[re]activate [the] "unpredictable rhythm” of the seminar' echoed Barthes, following artists, activists, teachers and organizers calling for new alternatives to ever-institutionalized formats and modes of education. Much of this – sentimentalizing, reproducing, extracting educational forms – is held within the discursive framework of art's ‘Educational Turn'. In the light of impact that the ‘move online' has had on art education I am reframing this question of the seminar's ‘where' else and ‘what' else, again in 2022. Once obvious spaces of art education, clearly defined, are left empty, expensive, expansive and broken. Where ghosts and infrastructures contend with one another, the mechanisms of universities are, in theory, open bare;their complex continues to be impenetrable. This text constellates a set of infrastructural considerations to take stock of what it means to ask this question of ‘where' else and ‘what' else in 2022. © 2022 Intellect Ltd Article. English language.

Integrated STEAM approach in outdoor trails with elementary school pre-service teachers

Due to the COVID-19 pandemic it was impossible to carry out on-campus teaching and examinations as planned for the first-year elementary school Bachelor's degree teacher training courses during the summer term of 2019/2020. Therefore, we moved our on-campus STEAM (Science, Technology, Engineering, Arts and Mathematics) related courses to schooling at home. For their course examination, students designed outdoor trails in groups with the educational technology MathCityMap based on an integrated STEAM approach. Hence, they combined STEAM with real-world situations (e.g., monuments, marketplaces, playgrounds). The tasks within the trails required the use of technologies such as augmented reality (AR), digital modelling (e.g., GeoGebra 3D Graphing Calculator), and GPS. Analogue measuring tools (e.g., triangle ruler) were also used in the task designs. We collected data from 21 trails with 259 tasks from 49 pre-service teachers to analyse the effects on professional growth in STEAM education. Through hierarchical cluster analysis we identified three different clusters with patterns regarding STEAM in outdoor trails. This paper will describe a pedagogical framework for the integrated STEAM approach to designing and evaluating outdoor trails. Furthermore, we will explain patterns pre-service teachers developed during this professional development. (PsycInfo Database Record (c) 2022 APA, all rights reserved)

Art Play with Daddy: Father-Child Play with Art Materials at Home.

Paternal involvement in household and childcare has increased over the past century, but global studies show that most mothers still remain responsible for a significantly higher proportion of total household care and childcare. Moreover, the COVID-19 pandemic has further negatively impacted mothers, who take on the majority of childcare responsibilities. However, scholars agree that a father's devotion to playing with the child fosters the child's cognitive, linguistic, and socio-emotional development. Acknowledging and approaching art as a dynamic and integrated play, this qualitative case study investigates five South Korean father-child dyads and their interactions while playing with art materials. The participants engaged in three thematic art sessions designed by the author. Data collection involved audio and video recordings of each session, surveys of adult participants, and photos of finished artworks. The study found that fathers' varied educational backgrounds and perceptions of their abilities to facilitate arts learning influenced their confidence in teaching the arts at home. Furthermore, having a theme and prompting questions assisted the fathers to facilitate more focused art play. The art play also provided the father-child dyads with arts learning opportunities, including learning and distinguishing colors and recognizing stereotypes associated with colors. Moreover, one-on-one interaction between the dyads helped them build a more intimate bond. This study presents specific examples of art activities and participants' responses, which might offer insights and educational implications for paternal involvement in child play and thematic art play at home.

Making Art at Home During the COVID-19 Pandemic: Instagram, Young Visitors, and Museum Collections

This paper examines some of the ways that Canadian art museum education departments used Instagram during the COVID-19 pandemic, particularly for young virtual visitors. The author studied this use of Instagram through a visual content analysis of ten Canadian museums' educational posts, stories and IGTV videos, using the theory of connectivism and the way learners can engage with learning opportunities outside of their physical environments. The findings from this study reveal that Instagram became instrumental in allowing museum educators to continue their mission of promoting meaningful engagement with collections for their visitors.

Impact of COVID-19 on distance learning practical design courses.

This paper explores the impact of COVID-19 on higher education practical design courses in Egypt. Because of inadequate resources and preparedness, Egyptian colleges have struggled to adopt digital teaching methods during the COVID-19 pandemic. This paper examines strategies that are the most feasible for teaching practical courses during or after a pandemic through distance learning (on online platforms). An action research project was set up to deliver two studio-based design courses, one on architectural drawing and the other on furniture design via distance learning (online mode). This approach used a suite of technologies and synchronous and asynchronous delivery mechanisms, such as Zoom and Google Classroom. Student perceptions about the impact of these changes were evaluated using questionnaires. A psychological effect of the conditions caused by the pandemic on students has been the loss of interest in academics. The research results partially support the use of online platforms to teach practical courses. However, more needs to be done to improve the delivery of online courses in Egypt. Further, holding competitions was found to boost students' motivation levels. A future strategy for teaching practical courses in applied arts and engineering is proposed in this paper.

Reflections on the Impact of COVID-19 on Teaching and Learning in the Faculty of Arts at the University of Nottingham

It is widely believed that digitally-driven changes are not welcomed amongst academic staff in higher education. However, when in March 2020, the University of Nottingham went online in response to the UK government's COVID-19 lockdown, a different picture started to emerge. This contribution reflects on the initial steps taken to respond to the COVID-19 emergency measures, including the support required to implement these steps and ensuing staff feedback. It also reflects on the process of moving forward from a state of emergency to a more thought-through digital pedagogical approach. In this scenario, the ultimate goal of this reflection is to argue that, as a consequence of the educational turbulence caused by COVID-19, the portrait of academics prone to resisting digitally-driven changes needs to be replaced by one that emphasises the significance of making the pedagogical values of these changes meaningful to the staff who eventually implement them. [For the complete volume, "Languages at Work, Competent Multilinguals and the Pedagogical Challenges of COVID-19," see ED612070.]

Through Time and Space: Placeknowing and Arts at Diné College

Tribal colleges and universities (TCUs) across North America are located in communities grappling with the economic devastation caused by the coronavirus outbreak. The pandemic has intensified the stress on many Native communities already struggling with issues of economic sustainability and public health. Yet COVID-19--or "Dikos Nitsaaígíí-19"--has hit the Navajo Nation especially hard. According to CNN, by the late fall of 2020 almost one in 12 people in the Navajo Nation had contracted the virus. This article describes how Diné College in Arizona has responded to the pandemic crisis by focusing on the role of Navajo art and artists in addressing issues of community health and sustainability. In 2018, the college took the step of expanding its arts curriculum to include a four-year Bachelor of Fine Arts degree. In inaugurating the BFA program, the college's School of Arts, Humanities, and English (SAHE) has sought to deepen involvement in documenting and encouraging the practice of both traditional and contemporary Native arts in the Navajo Nation. This goal is based on the value of perpetuating Navajo traditions through communal participation and absorption of the arts. [The article was written with assistance from Theodore Jojola, Michaela Paulette Shirley, Latoya Largo, Kayla Jackson, and Paul Willeto.]

Personal Reflections on the Fall 2020 Education Crisis: A Visual Narrative

Scholars emphasize how exercising the ability to critically evaluate both sides of an issue can reveal false dichotomies and promote an awareness of common ground among differing perspectives (Journell, 2019, Noddings & Brooks, 2017, Zimmerman & Robertson, 2017). As an art education professor in higher education and former elementary art teacher in public schools, Rebecca Shippe does not have to determine how K-12 learning will look in the fall of 2020. However, she has internally debated this significant dilemma as new research and policy updates continually impact her opinion of what is best for communities as a whole. This story presents both pictures and words to document her internal dialogue while considering the advantages of both face-to-face (F2F) and online learning in public schools during the COVID-19 pandemic.

Re‐imagining Learning: Spaces of Possibility

New spaces of possibility are opening up in the light of the pandemic, with a shared purpose to offer an alternative, creative approach to learning and researching experimental sites for pedagogical innovation. In our partnership work, our creative methodology, with everyone an artist, drives the ambition for artistic excellence. These new blended spaces, engage artists and educators in creative and reflective practice that places the arts, culture and creativity at the heart of a future pedagogy. These spaces can be interrogated to distil a repertoire of creative pedagogical characteristics that optimise agency, freedom, choice and imagination.

Zooming Support: Stories of How a Pandemic and SAMR Improved Preservice Art Education Instruction

The transition to hybrid and online instruction during the 2020 pandemic presented unprecedented challenges to the field of art education. This resulted in newly formed communities of inquiry and support, representing a wide range of technological skills and teaching experience. This article spotlights the Michigan Art Education Association (MAEA) Higher Education Division as an example of one such group. In March 2020, the members of MAEA, started holding triweekly Zoom meetings to discuss their new roles as online art educators. Over 10 months, they bonded and provided social-emotional support, becoming a collaborative inquiry professional development group. Because technology is integral to online and hybrid teaching practices, they chose a theoretical model called Substitution, Augmentation, Modification, Redefinition (SAMR) to anchor their triweekly MAEA conversations. The SAMR model contextualized their uses of technology in relation to their pedagogical approaches, it provided a common language to describe and explain how and why they use technologies to meet specific goals and objectives. In this article, they share their stories with hope of inspiring others to form similar transformational groups.

An Anti-Ableist Framework in Art Education

The study of ableism, often defined as disability discrimination and prejudice, is still nascent when compared with racism, homophobia, and sexism. Anti-ableism highlights the inequities of institutions, including public education, in the United States that are structured for the success of the White middle class and offer little hope and resources for children of color and with disabilities. In this article, Alice Wexler examines ways to conceive drawing with children with disabilities that would not require accommodation, which is an unintentionally ableist practice because it separates them from their peers--both physically and emotionally. She inquires what kind of drawing methods might be interesting to all students and invite children with diverse disabilities to participate. She suggests two examples of anti-ableist drawing methods: collaborative doodles and walking a/r/tography. Doodling, however, has been central in two of her recent teaching experiences, which she describes in this article. She argues that in art education, unlike other subjects, educators can use the visual arts to advance anti-ableism. The purpose of this article is to acknowledge that art education practices rarely take advantage of this possibility.

Blank Squares: A Narrative of Disillusionment and Hope

Using inquiry as stance and narrative, the author describes, explores, and analyzes how the COVID-19 pandemic affected preservice school site observations and shaped her students' burgeoning knowledge of art curriculum, and acknowledges how the pandemic impacted her own pedagogy. The author draws from 18 preservice student observation reflections (180 reflection papers) and classroom discussions about remote art curriculum delivery, and describes how her program responded to the challenging new reality, as well as what can be learned about teacher adaptability. Preservice student observation narratives illuminate and reveal the heart of good pedagogy--the ability to pivot, embrace flexibility, and find hope when disillusionment threatens: lessons that mentor teachers instilled with grace and humility.

Arts Education in Jeopardy: Research Reveals the Challenges and Resilience of Arts Education and Arts Educators during and Following the Pandemic

The COVID-19 pandemic shut down the world and arts education. Performing arts classes across the world were labeled as deadly activities and banned for in-person instruction and experiences in schools and communities for months. Strict mandates were enforced for masking students and social distancing. Restrictions for talking, singing, playing instruments, dancing, touching, ventilation, sharing equipment and resources in visual, performing, and media arts, and group activities associated with arts education were daunting. The arts have been described as a universal language that celebrates and honors culture, diversity, ethnicity, inclusion, and individual authenticity, as well as basic education in the United States. Consequently, the impact of pandemic mandates resulted in social, emotional, and psychological trauma for those affected, as people are born to dance, sing, act, create, make music, and play--individually and collectively. How have arts educators, students, and programs survived with resilience during this unprecedented time in history?

Studies on Education, Science, and Technology 2021

Education, science, and technology disciplines at all levels have never been more important, more exciting, or more crucial for its broader impacts on human society. The need for advanced technical skills is increasingly pressing to address climate change, combat COVID and other diseases, enhance the infrastructural built environment, grow food sources to feed an expanding planetary population, make new scientific discoveries, and interface synergistically with the arts, humanities, and social sciences. Teachers/instructors/mentors/professors need to be proficient in the best ways to convey knowledge and motivate the next generations of productive and engaged citizens of an increasingly diverse planet on which its human inhabitants must learn to confront and surmount increasingly difficult challenges to survival and prosperity. Students need to be focused on honing their learning skills and adapting to an ever-evolving global economy demanding always higher levels of technical proficiency. Students also need to be free to pursue any and all areas of interest without interference from cultural, political, ideological, or faith-imposed limitations. Policymakers need to provide the financial and human resources to fuel the engine of education, and they must create the maximum possible latitude for both those who teach and those who learn to pursue science, technology, engineering, and mathematics to their limits. This book contributes to addressing these needs and to suggesting potential solutions from multiple global perspectives. Adaptability of instructional methods, relevance of instructional content to students' lived experiences, and sensitivity to the mental and physical demands imposed on students must be hallmarks of education. The book is divided into three sections related to studies on education, science, and technology. Each section includes three chapters. The chapter's contributors are from the following countries: the United States, Germany, Greece, Indonesia, the United Kingdom, Russia, and Malaysia. This diversity brings an international perspective to the book.

Collaborative Virtual Learning Environments through the Contemporary Visual Arts

Amid a global pandemic, educators felt overwhelmed by the need to convert to new teaching and learning modalities. Students, too, had to adapt quickly to new ways of acquiring and processing information. The author relates how they needed to learn new technologies and rethink how to deliver content and create meaningful experiences for their preservice art education students in a virtual learning environment. To meet their university's COVID-19 guidelines, the author converted an Art Education: Secondary Methods class into a virtual learning model. Students worked on interactive assignments, art production, and readings via the university's learning management system in the asynchronous weekly sessions. The synchronized sessions held virtually were reserved for class discussion and presentations. Along with elementary methods, a pre-internship curriculum class, art education majors are required to take secondary methods. Secondary methods introduce preservice teachers to the role of artistic development of adolescents in classrooms, pedagogical practices, lesson planning design, implementation, and so on, along with contemporary art. This article discusses how preservice teachers developed and presented collaborative lessons incorporating contemporary artists in a virtual learning environment. This experience of virtual collaborative planning, teaching, and artmaking demonstrated that experiences equivalent to in-person instruction can be achieved remotely using current technology and can inspire teachers to optimize these pedagogical approaches for their future students.